Title |
HH:MM:SS |
Ch |
Year |
Comment |
D-E-A-D |
10:11:48 |
4 |
1996 |
Karlsruhe |
Cultural Noise |
00:22:37 |
2 |
" |
", orig. 22:46 |
10 Piktogramme |
00:23:17 |
2 |
" |
" |
VZG |
00:09:49 |
2 |
" |
" |
Ephemer |
00:15:43 |
2 |
" |
" |
Ozean |
00:20:59 |
2 |
" |
" |
Financial Times |
00:22:05 |
2 |
" |
" |
No Comment |
00:08:22 |
2 |
" |
" |
Untitled #1 |
01:05:38 |
4 |
1997 |
" |
Floor |
00:20:14 |
- |
" |
", for Computer Piano, rev. Berlin 2007 |
März 20 1997 |
00:59:57 |
2 |
" |
", rev. 1998 |
TG |
00:10:04 |
2 |
" |
" |
tonowhere |
00:38:49 |
2 |
" |
", rev. Köln 2002 |
sinework III |
02:48:32 |
2 |
" |
" |
Science Fiction |
00:03:14 |
2 |
1998 |
" |
Modell |
00:05:57 |
4 |
" |
" |
L'inertie polaire |
00:20:28 |
32 |
" |
", rev. Berlin 2005 |
Lichtblau/Orange |
00:09:41 |
1 |
" |
" |
Title Defender |
00:08:03 |
2 |
" |
" |
Storyteller |
00:26:07 |
1 |
" |
" |
Mock |
01:01:42 |
2 |
" |
" |
RGB |
00:17:56 |
2 |
" |
", with Yunchul Kim |
Television |
00:12:09 |
2 |
" |
" |
Waiting |
00:01:07 |
2 |
" |
" |
12/18/98 |
00:22:20 |
2 |
" |
" |
Buffer~ |
00:04:00 |
2 |
1999 |
", with Yunchul Kim |
Falling Down |
01:34:24 |
2 |
" |
" |
Vanishing Point |
00:19:51 |
2 |
" |
" |
Valaisanne |
00:08:17 |
2 |
" |
" |
Two Red... |
00:15:00 |
4 |
" |
" |
Sorting |
00:14:30 |
1 |
" |
" |
Insomnia |
00:06:00 |
1 |
" |
" |
Converse |
00:07:43 |
1 |
" |
" |
State |
00:11:00 |
8 |
" |
" |
Stack Overflow |
00:06:45 |
2 |
" |
Cologne |
Inner Race |
00:40:00 |
1 |
" |
" |
X |
00:09:13 |
2 |
" |
" |
Bridge |
00:15:29 |
2 |
2000 |
" |
Dial |
00:11:33 |
8 |
" |
" |
Sonar |
00:14:00 |
8 |
" |
" |
Port |
00:19:21 |
2 |
" |
" |
oh_no |
00:07:10 |
2 |
" |
" |
L |
01:02:07 |
2 |
" |
" |
Mental Suffocation |
00:12:00 |
2 |
" |
" |
Celluar Machine |
01:02:58 |
1 |
" |
" |
Thoughts |
01:03:53 |
1 |
2001 |
" |
Amok |
00:07:15 |
1 |
" |
" |
Rolandseck |
00:16:53 |
4 |
" |
" |
Face |
00:04:07 |
2 |
" |
" |
Radio Longing |
00:04:59 |
2 |
2002 |
" |
Brave New World |
00:15:21 |
2 |
" |
" |
Drifting |
00:12:43 |
1 |
" |
" |
Rhine Music |
00:26:00 |
2 |
" |
" |
And the Gods Made Love |
00:06:00 |
1 |
" |
", WDR |
p_50 |
00:15:33 |
2 |
" |
" |
HN |
00:03:05 |
1 |
" |
" |
M. Dora |
00:07:42 |
1 |
" |
" |
Whiteout |
00:20:15 |
1 |
" |
" |
Istanbul |
00:45:58 |
2 |
2003 |
" |
Continuity Illusions |
00:14:48 |
4 |
" |
", WDR, LMS |
Die Flucht aus der Zeit |
00:05:37 |
2 |
" |
", rev. 2007 |
In Heaven |
00:14:59 |
2 |
2004 |
" |
Das Turing Projekt |
00:51:03 |
5.1 |
" |
", WDR, LMS, 5.1 Mix 2011 |
Abhandlung |
00:08:46 |
1 |
2005 |
Budapest/Berlin |
CWP |
00:12:01 |
2 |
" |
Berlin |
mpulse |
00:06:59 |
n>1 |
" |
" |
Introspection |
05:53:35 |
2 |
" |
" |
Icefloes |
00:02:11 |
2 |
2006 |
" |
Gruen44 |
00:15:18 |
4 |
" |
" |
Touch |
00:06:00 |
2 |
" |
" |
Vivax |
00:03:00 |
n |
2007 |
" |
Hindmarsh–Rose |
00:14:32 |
4 |
" |
" |
Julia |
00:03:00 |
8 |
" |
" |
Thymos |
00:19:49 |
4 |
" |
" |
Escape |
00:04:27 |
n |
" |
", rev. Cologne 2011 |
Crush |
00:06:54 |
n |
" |
" |
Aporie I, II, III |
00:11:58 |
8 |
" |
" |
AS WE GO |
00:10:07 |
4 |
2008 |
" |
Abrasion |
00:13:42 |
4 |
" |
" |
Blei |
00:03:27 |
4 |
2009 |
" |
NULL |
00:13:01 |
4 |
" |
" |
Exospection |
00:35:57 |
2 |
" |
" |
London Sep 2009 |
00:20:01 |
2 |
" |
" |
Von den Bergen |
00:11:42 |
2 |
" |
" |
Texts for Nothing VIII |
00:12:46 |
4 |
2010 |
"/Unterheinriet |
Simultan |
00:16:40 |
5 |
" |
"/" |
Foris |
00:16:45 |
4 |
" |
" |
Electric Fence |
00:11:05 |
4 |
" |
Unterheinriet |
No.89/I–IV |
00:05:44 |
4 |
" |
" |
Ameisen |
00:03:55 |
6 |
" |
Berlin, rev. Heilbronn 2021 |
Gruppe 47 |
00:08:30 |
2 |
2011 |
" |
Holzwege |
00:13:35 |
4 |
" |
" |
Aktis |
00:08:26 |
12 |
" |
" |
Märkische Landschaft |
00:07:06 |
8 |
" |
" |
Pica Pica |
00:15:01 |
8 |
" |
"/Unterheinriet |
Waldbach |
00:04:30 |
7 |
" |
"/Hallstatt |
The Long Reply |
00:07:31 |
8 |
2012 |
" |
Trace |
00:13:52 |
1 |
" |
" |
Gedankenflucht |
00:21:32 |
4 |
" |
" |
XOR |
00:53:28 |
1 |
" |
" |
Stillstehend |
00:05:48 |
4 |
" |
" |
Falling Stars |
00:06:45 |
4 |
" |
" |
Ivory |
00:04:28 |
6 |
" |
"/Unterheinriet |
Scapeland |
00:20:00 |
4 |
" |
" |
Durchquerungen der Zeit |
00:06:04 |
4 |
2013 |
"/Unterheinriet |
Strata |
00:09:34 |
2 |
" |
" |
Vier Sätze |
00:04:06 |
2 |
" |
" |
Interstices |
00:45:00 |
5 |
" |
" |
307 |
00:05:07 |
2 |
" |
" |
Force |
00:12:00 |
1 |
2014 |
" |
Blicke ins Nichts |
00:10:33 |
4 |
" |
" |
Mono |
00:46:28 |
4 |
" |
"/Unterheinriet |
Horizon |
00:51:00 |
4 |
2016 |
Unterheinriet |
August |
00:05:00 |
2 |
" |
" |
Flash |
00:01:52 |
2 |
" |
Vorderbüchelberg |
Fever |
00:25:31 |
6 |
2017 |
Unterheinriet, with Jens Lüstraeten (Video) |
Purification |
00:09:59 |
4 |
" |
Maulbronn |
Struct |
00:29:14 |
4 |
" |
Heilbronn |
Bodenlos |
00:14:40 |
4 |
2018 |
" |
Millefleurs |
00:06:12 |
4 |
" |
" |
Spiral |
00:10:32 |
4 |
" |
" |
Entropia |
00:03:00 |
2 |
" |
", DEGEM CD 16 ↗ |
Miniatur 1–4 |
00:05:09 |
2 |
" |
" |
Rhe |
00:06:11 |
2 |
" |
" |
Episode |
00:08:20 |
4 |
" |
" |
UHT |
00:07:10 |
4 |
" |
" |
3n+1 |
00:03:52 |
4 |
2019 |
" |
Ask the Dust |
00:05:00 |
5 |
" |
" |
PLF |
00:01:30 |
2 |
" |
" |
Gefüge I |
00:05:37 |
4 |
" |
" |
Cortex |
00:08:31 |
4 |
" |
" |
Varia |
00:05:06 |
8 |
" |
" |
Immersed |
00:08:03 |
4 |
" |
" |
Gefüge II |
00:06:38 |
4 |
" |
" |
Nocturne |
00:14:44 |
2 |
" |
" |
Trias |
00:07:50 |
4 |
2020 |
" |
sinework IV |
00:19:58 |
12 |
" |
" |
Januar |
00:05:30 |
4 |
" |
" |
Felder |
00:11:34 |
16 |
" |
" |
Lehre vom Zerfall |
00:03:03 |
7 |
" |
", DEGEM CD 18 ↗ |
Untitled #2 |
00:18:26 |
4 |
" |
" |
sinework V |
00:15:20 |
12 |
" |
" |
Breaking Glass |
00:02:26 |
4 |
" |
" |
Lines |
00:04:00 |
4 |
" |
", with Video |
Finsterrot |
00:11:00 |
2 |
" |
" |
Stück in A-Moll |
00:03:32 |
2 |
" |
" |
Idle |
00:05:50 |
2 |
" |
" |
Cascade |
00:06:40 |
4 |
" |
" |
Die Lebenden |
00:02:02 |
4 |
" |
" |
Harbor |
00:05:00 |
2 |
2021 |
" |
Simple Materials |
00:03:35 |
8 |
" |
" |
BUZZ |
00:01:01 |
4 |
" |
" |
From Afar |
00:08:00 |
12 |
" |
" |
Short Cuts |
00:06:04 |
4 |
" |
" |
Exhausted |
00:05:00 |
2 |
" |
" |
Outer Layer |
00:03:58 |
2 |
" |
", with Video |
Köpferbrunnen |
00:03:20 |
2 |
" |
" |
Insania |
00:05:10 |
6 |
" |
" |
Desert |
00:04:00 |
4 |
2022 |
" |
Untitled #3 |
00:08:15 |
4 |
" |
" |
Miniatur 5 |
00:02:18 |
4 |
" |
" |
Passé I, II, III |
00:05:54 |
6 |
" |
"/Heidelberg |
Shiftings |
00:08:00 |
2 |
" |
" |
Warped Land |
00:10:12 |
4 |
" |
" |
Machine |
00:05:23 |
2 |
" |
" |
Six Movements |
00:02:48 |
n |
" |
" |
sinework VI |
00:04:00 |
1 |
" |
" |
Zeitverschüttung |
00:10:29 |
2 |
2023 |
" |
Textur I-IV |
00:03:18 |
2 |
" |
" |
Untitled #4 |
00:04:25 |
5 |
" |
" |
WEISS |
00:01:00 |
2 |
" |
" |
Miniatur 6-10 |
00:01:34 |
2 |
" |
" |
Nothing |
00:00:36 |
- |
" |
" |
Eight Waves |
00:01:36 |
2 |
" |
" |
Monolog |
00:07:00 |
2 |
" |
" |
Shots |
00:04:17 |
4 |
" |
" |
Abwesen |
00:04:00 |
4 |
2024 |
" |